Stories in Golddust Magazine, Literally Stories, Idle Ink, Writer's Egg, CafeLit, McStorytellers, Whatever Keeps the Lights On, Flashback Fiction, Down in the Dirt, Close to the Bone, Shooter, Soft Cartel, Fiction Junkies, and Heavenly Flower Publishing
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
In the ribboned fog of a February daybreak, dog barks stilt strangely in the dank air. Hoar frost clings to raw-fingered branches and to the tortured holly. What leaves are left from autumn’s mulch sit skeleton and crisp, drifted in between tree roots or huddled at the entrances to abandoned setts. Clouds scud over the lightening sky, looking upon their skulking brethren clinging to the dells and corries below. A time for paperboys and farmers, milk floats and commuters huddled bitter at some rural bus stop. The sensible stay put – the foxes in their underground fugues, the hares in frozen, clod-circled forms.
One of the best aspects of being a member of Ayr Writers is the variety of outside speakers we have in our programme. Writers are by their nature storytellers, and we’ve had some fantastic yarns spun to us in my time as a member.
Some of the most interesting talks have come from (to my mind at least) unusual sources. We’ve had workshops on writing song lyrics and publishing via Mills and Boon, both of which taught me things about writing of which I was previously ignorant.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
This was going to be a couple of drought-themed haiku, but in the end I thought a refreshing one to finish was more palatable.
‘Breccia’ is a haiku based on the Flannan Isles off the west coast of Scotland, a notoriously difficult place to land a boat and the setting for a mysterious disappearance in 1900. I’ve just finished ‘The Lighthouse: The Mystery of the Eilean Mor Lighthouse Keepers’ by Keith McCloskey – an excellent book on the subject if you are interested in reading more.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
Beginnings everywhere, like tributaries. The barely-there footpaths over the needled forest floor, the slightest heelprint in the wet sand moments before the tide arrives. Beginnings everywhere, and nowhere.
The path begins to become more cultured, more knowable. Towpaths trail obediently canalside. Lines of scree wind up Bens Lomond, Vane, Ime, slowing only to slip underneath footworn styles or to dip beneath the scurried, hurried surfaces of highland burns.
Soon, the little country lanes with thick, sunblock hedgerows, honeysuckle woven over the threads of sunlight that have made their way through. The pitch-dark laybys overhung with blackberries and sloes, indigo fruits on an indigo road under an indigo sky.