Published in Gold Dust magazine, Literally Stories, Near to the Knuckle, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, and Shooter magazine.
Author: matthewjrichardson
PhD student and short story author. Published in Gold Dust, Literally Stories, Near to the Knuckle, Soft Cartel, Penny Shorts, and Shooter.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
Siren’s wail and loudspeaker’s bark are dampened as Adam closes the door against the night. One, two, three padlocks go on. Two deadbolts scrape across the pitted iron of the doorframe. The smell of the flat welcomes him home – mildew and rusty water.
Adam lights a candle using the box of Cook’s matches. A man at the food line had told him that, pound-for-pound, matches were now worth more than gold. The expectation had been that Adam would have been impressed, or even disbelieving, but who had use for gold anymore?
The candle is placed atop the cardboard box that serves as a table, and Adam uses its guttering light to place plywood over kitchenette and bedroom windows. It doesn’t stop the wind whistling through the blown insulation, but it might persuade the after-darkers to move on to the next house. The next target.
A dinner of cold lentils, soaked all day, is eaten. Adam’s eyes never leave the guttering, tremulous flame. The wax is cheap. It runs down the sides of the candle and pools, translucent, on the cardboard. The candle occasionally pops and fizzes as it burns, like fireworks.
Adam glances covetously at the book he is halfway through, but he knows he cannot spare the wax. Licking the tips of his thumb and forefinger, he pauses, and then pinches the flame out. The lumpen, darken shapes that he knows so well immediately rush into the grey. The sofa, stuffing removed to supplement his duvet. The bank of bottled water that has to last until spring. The squat radio in the corner – his one link with what now passes for civilisation. Adam only switches on at 5pm Sunday for the emergency broadcast.
It was alright, he thought, picking a lentil from between his teeth. The Prime Minister’s budget would get people working again.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
Moving across a room is more of a challenge than it used to be. Mark has given up waiting for his sea legs – landlubber ones will have to do. He opens the door to find the first mate about to knock again. The man doesn’t even bother to sneer at Mark’s seasickness anymore.
‘We’re here.’ The man looks warily at Mark as though worried he might shortly be wearing his guest’s breakfast. ‘Although why anyone would want to be is another matter.’
Mark nods and begins to follow the sailor up the narrow corridor, arms braced against the corridor walls like a drunkard. His lifejacket puffs up in front of him ridiculously, and the first mate opens the door at the end of the passage for him.
The wind, whose fingers had already been tendrilling through the broken seals in the door, seizes the opportunity and heaves through the doorframe, salt-spittle-flecked and cold. The first mate does not waste any more words in the squall. He mimes that Mark should remain clipped in whilst on deck, and through a wagging finger the fact that no-one will be coming after him if he does go overboard. Mark nods and clips in.
This was going to be a couple of drought-themed haiku, but in the end I thought a refreshing one to finish was more palatable.
‘Breccia’ is a haiku based on the Flannan Isles off the west coast of Scotland, a notoriously difficult place to land a boat and the setting for a mysterious disappearance in 1900. I’ve just finished ‘The Lighthouse: The Mystery of the Eilean Mor Lighthouse Keepers’ by Keith McCloskey – an excellent book on the subject if you are interested in reading more.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
Beginnings everywhere, like tributaries. The barely-there footpaths over the needled forest floor, the slightest heelprint in the wet sand moments before the tide arrives. Beginnings everywhere, and nowhere.
The path begins to become more cultured, more knowable. Towpaths trail obediently canalside. Lines of scree wind up Bens Lomond, Vane, Ime, slowing only to slip underneath footworn styles or to dip beneath the scurried, hurried surfaces of highland burns.
Soon, the little country lanes with thick, sunblock hedgerows, honeysuckle woven over the threads of sunlight that have made their way through. The pitch-dark laybys overhung with blackberries and sloes, indigo fruits on an indigo road under an indigo sky.
I’ve been lucky enough to have a short story picked up by Idle Ink. ‘A Spaceman Came Travelling’ is an odd little piece that went through several iterations in my head before eventually making its way onto laptop screen. I’m not sure it fits comfortably in any particular genre, but I’m reasonably pleased with how it turned out.
‘She must turn back. She can hear her children turning in their beds, scent their morning breath, feel on her fingers the roughness of their uncombed hair. There’ll be small bare feet on that carpet, small morning erections in dinosaur pyjamas. She’ll just go to that bay ahead, where the loch laps boulders and tree roots under the fog, a tenderness between water and land that’s almost a beach, and she’ll pause there, a moment’s triumph before she turns back.’
Review
I was in Kirkcudbright for the day a few months ago and happened to notice Gallovidia Books, a picturesque little independent bookshop on the main street. As you often find in these places, the staff are immensely knowledgeable, and upon picking up ‘Summerwater’ by Sarah Moss I was informed that it was a clever and absorbing read that the assistant had himself only just finished.
Matthew Richardson 