Imagine a person on any news website, any glossy magazine, any television advertisement. Done? I’ll bet it’s a face you’ve pictured. Am I right? Airbrushed, tinted, perfectly lit? The problem with faces is that they lie. You only need to watch the lips move to know that.
Hands, on the other hand… Continue reading “Twenty-Seven Bones | Short Story”
Grace Notes
Bernard Maclaverty
Vintage
£8.99
‘Catherine had never been in a church this late. The place was dim – a quarter lit to save electricity. One bulb in four. Sounds were magnified – a candle dropped, high heels on marble, the swing doors whumpfing closed. Coughing, with echoes. And old women whispering prayers full of esses. A coin dropped into the box of a candelabra – from the noise it was possible to tell how full it was – clink for full, clunk for empty. The sacristy lamp burned steadily in its red glass container – symbol of the real presence of the tabernacle. Jesus in flesh and blood.’ Continue reading “Grace Notes | Book Review”
I can smell bullshit a mile off. A person can do all the reading and all of the Youtubing they want – some things can’t be faked. Journalists will write about the history of the Great Pyramid of Khufu, but I can tell that they’ve not been inside, that they haven’t felt the sweat of tourists run down its four and a half thousand-year-old walls. Nor is such fakery limited to sunburnt tourists and more-money-than-sense septuagenarians. I’ve lost count of the number of lithe young things ironically wearing Beatles or Rolling Stones t-shirts. Scream all you want at Summerfest – in the seventies I was close enough to smell the sweat from Mick’s vest and to see the gleam of his back teeth as he attacked the microphone. Back then us ladies knew how to swoon. Continue reading “A Sense of Perspective”
Dear sir,
Now that I’m able to sit up they have given me a pen. This is so that I can write what I am feeling, or rather what their psychological textbooks suggest that I should be feeling. After the doctors have finished shining their torches into the backs of my eyes they search my face, their foreheads furrowed. I know what they are looking for – a flicker of madness, some trace of the rage bubbling up inside of me.
Don’t leave an ankle dangling over. Not even a toe. That was the rule. If you did, the monster under the bed would seize you as you slept. Ragged, blackened fingernails would trace their way up your calf before digging cruelly into your flesh. Veins would pop out from the unforgiving muscles of the creature’s forearm as his hand crushed ligament and bone. You would be dragged underneath your bed and down into the depths. Continue reading “Over the Edge”
‘Could you turn your head please? A little more, perhaps? Perfect. And you – I’m not getting enough from you at the moment. I want rage. I want impotent indignation. Imagine that you’ve just received a parking ticket you didn’t deserve. You can see the car park attendant walking away, smirking. That’s more like it. I want to see spittle flecking from your snarling lips. I want to see veins popping in your neck, capillaries bursting in your eyes. Excellent. Continue reading “Courting Drama”
Was that a tremor of a curtain in a darkened window? No matter. A pivot, a leap, and I’m over the garden fence. A shimmy and a jump take me on top of the shed. I listen for the sound of pursuers, for the creak of a back door opening as someone checks that all is well. There is nothing but the warm night air pressing in on my eardrums.
My objective is still above me, but for a moment I look not up, but out. I feel like Dick Van Dyke taking in Victorian London, but instead of soot-stained chimneys and greasy roof tiles I have row upon row of bristling satellite dishes and TV aerials, their angles cocked at the skies to hear the better.
How has it come to this?
I wipe my hands on my trousers and take a firm grip of the satellite dish. One, two, three heaves brings it away from the wall. Brick dust sprinkles over the driveway below me, followed by the clatter of the dish as it cartwheels into the road. It stops in front of a police car. Torchlight swivels from the patrol car window, fumbling over the rooftops before finding me. They know who they’re looking for – the same man they’ve caught tearing satellite equipment from houses every night this week. No matter. My work here is done.
In a few hours that family will wake. They’ll reach for their mobiles, their television remotes. They’ll ask for Alexa. They’ll tap away at their laptops. Eventually they will conclude that they have no choice but to converse, at least in the short term. Perhaps teenagers will scuttle down from their bedrooms. Maybe parents will concern themselves with what their children have planned for the upcoming day instead of what some politician did in London yesterday. If I’m lucky, they’ll remember what it is to construct sentences, to be curious about each other.
Of course, they will need something to be curious about. Fear not nomophobics, for I have provided once again. What could be more conversation-provoking, after all, than a night prowler loose on the rooftops. My crimes will provide a spark, a fire to set those tongues wagging.
Chim Chim Cheroo.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Near to the Knuckle, McStorytellers, Penny Shorts, Soft Cartel, and Shooter magazine. He is an absentee member of the Glasgow Writers Group, a PhD student at the University of Dundee, a lucky husband, and a proud father.
Not necessarily in that order
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