There has been a stultifying heat this week in Scotland; it has been responsible for the following haiku…

Breezeless
Footling summer hum
Of airborne things, of breezeless,
Pollen-heavy heat.
Continue reading “Breezeless and Bobbing | Haiku”There has been a stultifying heat this week in Scotland; it has been responsible for the following haiku…

Breezeless
Footling summer hum
Of airborne things, of breezeless,
Pollen-heavy heat.
Continue reading “Breezeless and Bobbing | Haiku”Big skies and crowded lawns today, with a couple of haiku…

Buttercup
Sun-waxed buttercup,
Deep amidst the heaving grass.
Summer peering through.

Broil
Cumulonimbus
Banked broad, far-flung cirrus. A
Broiling troposphere.
*Thanks for reading, folks. Images courtesy of Flickr and Caribb. My recent short stories include ‘Rendered Soft‘ and ‘Eyes Wide‘.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com.
We’re ice-bound in Scotland at the moment – some appropriate haikus as follows…

Spidered
Spidered creep across
Night-chilled glass, untouched by the
Hill-hidden sunlight.

Still
Frozen and fat balls and
Frost-fingered nyger, hanging
Still, in the chill air.
*Thanks for reading, folks. Images courtesy of Marco Verch and Chiot’s Run. My recent short stories include ‘Night Out‘ and ‘Plausible Deniability‘.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com.
Happy New Year folks,
A couple of bracing haiku for early January…

Steadfast
Wind-worn coping stones,
Stacked batters, wedged pinnings and
Steadfast throughstones. Still.

Slate
Crisp, frosted fronds,
Pure amidst the rutted tracks,
Beneath the slate skies.
*Thanks for reading, folks. Images courtesy of Michael Manning and Creativity103.com. My recent short stories include ‘Night Out‘ and ‘PLANET 4662/1183J/983!/11C‘.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com.
It’s grey skies and a chill wind in Scotland as we head towards the year’s end, so here are a couple of moody haiku…

Coal
A year’s fag-end gloams,
Underlit by coals, over-
hung by mauve smoke skeins.
Continue reading “Coal and Curl | Haiku”We’re in the middle of a cold snap in Scotland, as you might be able to tell…

Caster
Caster dusting on
Bin lid and bough, sill and stoop.
Open, winter skies.
Continue reading “Caster and Creak | Haiku”We’re through the darkness and into the dawn with a couple of haiku today…

Sleeping
Night thrown long, over
Sleeping byre, over quiet moor,
Over windswept swell.

Soft
Soft shift of embers.
Fragile whites, glowing ruby,
Fading in the dawn.
Continue reading “Sleeping and Soft | Haiku”Loch Ness Monster, stamped long
Across a once-round coin.
A penny,
Pressed into nothing,
Into something more than money.
What route to the heavy, glass-bound rollers?
Which grasping hands, dark pockets, upholstery crevices before
Arriving iron-smelling, earth-born, newly pressed again?
How many through my own fingers
From museums and galleries,
Raucous funfairs and till-chimed gift shops?
Lost, slipped behind dust-bound bookshelves
Or down churning gutters beneath rumbling, work-bound feet.
That fate perhaps,
But for now a clammy, toddler’s hand
An o-shaped mouth,
A treasure, gleaming gold.
Continue reading “Loch Ness Monster, Stamped Long | Poetry”We, the dead, make a stand.
Standards are standards; they do not distinguish between the quick and the buried – we all must tend our patch.
Our churchyard caters for a certain vintage of clientele. We have all been present and correct for some time – most of our headstones are stacked alongside our graves or against weathered tombs. Too many storms and too much Scottish rain has seen the local authority deem our slabs unsafe.
Continue reading “We, the Dead | Short Story”Parting a sea is rather ostentatious.
I’ve no need to drown a pursuing Egyptian army, nor feed thousands of people with two loaves and a couple of battered haddock. Isolating dark matter can wait, and my polytechnic didn’t equip me to get into the quantum computing field.
I’m simply hoping to get down to the shop on Colliery Street.
Read more: Little Daily Miracles | Short StoryFifty-eight steps, four kerbs, four door openings, a bastard of a level crossing, and – worst of all – the chip and pin machine at the counter: the tasks rear up in front of me – cold, shadowy, and forbidding.

The problem, of course, is cartilage. No-one is going to waste a miracle on replacement cartilage, are they? Mine’s gone, anyway, worn and rubbed raw until my bones come together with all the lithe grace of a wean using chopsticks for the first time.
There.
Down off the kerb and onto the crossing. Gritting my teeth muffles all but the smallest whimper. Aye, sound your horn all you want, mate. I can’t go any faster, and my nervous system is reacting to far more persuasive stimuli than your tantrum behind the steering wheel.
Up…the opposite kerb, and eas-sy does it. Every touch of the walking stick against the pavement sends a jolt of pain through my gnarled pork joint of a hand and up through my shoulder. For a horrible, horrible moment it feels as though I will overbalance and fall backwards onto the road, my bones splintering and crunching on the tarmac. I catch myself, though, my centre of gravity righting itself like a mast on a choppy sea.
The shop is right in front of me and – thank whoever’s up there for small miracles – a man is leaving and holding the door open for me. I shuffle through, cringing away from him in case I accidentally brush against his jacket. Thank you. Thank you.
The jingle of the door announces my achievement amongst the aisles of canned goods and questionable frozen produce. I catch my breath in the queue, inching closer to requests for twenty Marlboro Light or an ounce of Drum. Soon enough, a downwards-looking cashier asks what she can get me. Lucky dip, hen. I hardly even flinch when the chip and pin machine with its stiff, grime-encrusted buttons is pushed towards me. Little daily miracles do happen, and there’s no harm in hoping for the bigger ones.
*Thanks for reading, folks. image courtesy of Geograph. My recent short stories include ‘The Lamplighter‘ and ‘Those Abroad‘.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0.