His the Night | Short Story

Person in dark cloak holding lantern walking on wet cobblestone street at night.

No-one was quite sure what the lampman’s purpose was. They knew that he appeared on still nights when the fog swept up from the Avon and slicked the dark cobblestones. They knew that he was looking for someone or something, but his purpose? No-one could come up with a plausible explanation.

It was not as though the man was shy. His buckled boots sounded loud against the worn stone, and he was unabashed in leaning close in to the shop fronts and the street level windows, cupping his hands around his eyes to avoid his own reflection. A moment’s searching, and then moving on, the flame of his cruisie lamp guttering with his movement.

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Twelve Cans Beans | Short Story

Shelves with canned goods labeled beans, soup, canned meat, peas, and sacks labeled grains, wheat, rice, oats in a basement pantry

Twelve cans beans.

Ditto lentils.

Twenty bags assorted grains.

Enough powdered milk to choke a donkey.

And then the jumble sale – the canned vegetables, the fruits, the canned meats. She sometimes thinks that it is the world’s worst tombola. They are brought forwards, these tin, flush against the edge of the steel shelves. Everything in its place.

There is a comforting airlessness down here. A silence. Everything is in its place. Everything counted, stacked against some half-imagined Event which would send them down here.

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Detox | Writing News

A highly detailed, sharp-focused image featuring a remote lighthouse.

It’s always nice to be able to share a piece of good news…

I attended the Scottish Association of Writers 2026 Conference last weekend, and was delighted to receive second place in the Constable Silver Stag competition for the general novel, judged by the fantastic Anne Hamilton.

‘Detox’, a novel I’ve been working on for some time, is pencilled in for being complete in early 2027, and it was fantastic to get some positive feedback on the draft and to know what I need to go and work on. The elevator pitch is as follows:

Abandoned and starving at a remote therapeutic lighthouse retreat, Becca must uncover the awful truth of her captivity before fear and betrayal tear her fellow survivors apart.

I shall keep working away at the drafts, but it was nice to hear that I might be on the right track in the meantime.

Thanks for reading folks. Recent short stories include ‘Shift‘ and ‘The End of the Day‘.

Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, Down in the Dirt, and Shooter magazine. He has a Professional Doctorate in Education. Matthew blogs at www.matthewjrichardson.com.

The End of the Day | Short Story

Becca is lonely. They say it like it is a bad thing, those teachers, that guidance counsellor, the parents whispering behind their hands at birthday parties. They said it as though the condition has a horrifying miasma surrounding it, some sort of accompanying social smell. Rancid, like milk gone bad.

There are worse things to be than lonely, though.

These people though, they don’t take into account the worlds that are visible only to Becca. Universes that only she can see. Walking along a school corridor, she can be anywhere inside her head. The tinny slamming of the lockers is muted, the boyish jostling becomes immaterial, the spitballs seem to arc around her, pulled out of her gravity by the mass of her imagination.

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Shift | Flash Fiction

Cold air shifts, tugged between a closed door and another, closing. Shoes shuffle against the swept floor, footsteps purposeful but never rushed. Speech is superfluous here in the mountains, amidst the thin air and underneath the morphing skies.

There are privations of course, the hardships of rock-hewn bedrooms and straw mattresses, but also the sense of paring back, of the shedding of the unnecessary.

So as the poets, the thinkers, the lost, shift past each other in the shadowed-sunstriped cloisters, do not think of them as poor or desperate. Think of them as rich – rich in spirit, in solitude, in silence.

Thanks for reading folks. Recent short stories include ‘Scale and Perspective‘ and ‘Picking your Mark‘.

Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, Idle Ink, The Wild Word, Down in the Dirt, and Shooter magazine. He has a Professional Doctorate in Education. Matthew blogs at www.matthewjrichardson.com.