‘We never know which lives we influence, or when, or why.’
It has long since stopped being fashionable to criticise Stephen King for lack of literary merit. A tiresome snobbery once existed regarding his books, long since buried under the millions of copies sold and the dozens of film and television adaptations. The Maine-born writer tells a wonderful story, and some of my favourite reads growing up included The Shining, The Girl Who Loved Tom Gordon, Carrie, Misery, and Needful Things amongst others. The juxtaposition of King and a protagonist going back in time to stop the assassination of John F. Kennedy should then have been infallible, a stone-cold guaranteed thriller. It didn’t quite reach this level for me, but it was still a good read.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, Writer’s Egg, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
I’ve been rather staccato on WordPress of late. Work and writing up the first project in my doctorate have crowded out anything more cultured, so it is with some relief that I can report my short story ‘Alder, Beech, Hawthorn and Hazel’ has been picked up and published by Writer’s Egg magazine.
‘Alder, Beech, Hawthorn and Hazel’ is an odd, dark little piece. It was one of those stories that a writer wants a good home for. It was with increasing despair then that I saw ABHH rejected by five separate lit mags and ignored by another two. This would normally be enough for me to send it to the beige desktop folder from whence no stories return, but this was one I couldn’t let go.
When I had just about given up hope, I received an acceptance from Writer’s Egg, a Bristol-based print magazine that won Winner of the Best Start-Up Magazine with South West England Prestige Awards 2020/21. I am delighted to feature of course, and it is a timely reminder for me that the distance between waste paper basket and magazine is not always so great.
Thimbles are old hat. As are hatpins, come to that.
We don’t skirt along wainscots anymore – linoleum and robot vacuum cleaners have made that too dangerous. Nor do we abseil down curtains – blinds are not nearly so conducive to a silent descent. And the pets…People still talk about Eggletina having been eaten by a cat, a story whose horror is not in any way reduced by its being apocryphal, but in modern Borrower life the Human Beans are far more eclectic in their tastes. Ferrets, parrots, tarantulas…my cousin Dimmer swears he had to squeeze through a letter box brush to escape a fucking micro pig. These days it is ventilation grilles, wood burners, and shimmying down USB cables.
I was out in my garden this week when a skein of geese flew overhead. The sight always reminds me of The Book of Merlyn in T. H. White’s The Once and Future King and Lyo-Lyok the goose talking to Wart on the mudflats about freedom and war. White was a passionate bird watcher and his enthusiasm is apparent in what is a beautiful piece of writing. The slim ‘v’ in the sky provided the inspiration for this set of haiku.
Bustle, bill, and honk.
Restlessness on the mudflats.
A glance, a stretch, flight.
A white-fronted front,
Chevroned against the turquoise.
Wings beating northbound.
Things I’ve read this week…
Chris Hall’s ‘The Facility‘ microfiction series is a wonderfully dark and twisted dystopian tale. She is not new to keeping her readers hooked through these series, with each snippet having its own narrative arc within the wider story. She makes us feel the white tiles and dull chrome of the The Facility. She makes us smell the disinfectant and hear the echoes in the long, stark corridors. Wonderful stuff.
Chris Terrell’s commentary on choice of subject for sketching is a lovely insight on an artist’s process. I had a look through Chris’s work and loved it.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, Best MicroFiction 2021, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0
The residents of Lettaford are thin-lipped and watchful. Some put it down to the hamlet’s isolated position on the edge of Dartmoor. Others say that the place was borne from the people and that there’s nowt as queer as folk.
One thing everyone agrees on is that the moor is a dangerous place. Mists eddy and creep over the hillocks and streams and do strange things to people’s sense of direction. Rowan and Willow root wind underneath the peat and the heather.
When travellers stop by the low-slung inn, mauve smoke curling from the chimney, the villagers warn them not to set foot upon the moor, no matter how clear the path may seem. Some are foolhardy, though, sneering at the patrons with coaldust in their hair and dregs of ale in their beards.
amidst the heat, a couple of waterborne haiku to keep you cool…
A glance below, a damp breath…
White splayed over grey.
River-worn and time-scoured.
Cast aside by spates gone by.
Waiting for Fall’s rush.
Things I’ve read this week
One of the benefits of being part of Ayr Writer’s Club over the past year has been being introduced to other authors’ writing. It really is a talented group of people, demonstrated by the awards won at the Scottish Association of Writers 2021. Marion Husband’s ‘Explore Govan‘ is a product of one such writer. I lived within spitting distance of Govan for five years, and there are myriad gems in this little book which surprised me. Marion’s tour takes us from Govan Ferry to the Riverside Museum, from Elder Park Library to Govan Old Parish Church. There are so many things that I drove past on a daily basis with a past, a story. Marion brings these buildings and their history to life. This is a fantastic book for those visiting the area, and indeed for those more au fait with Govan.
E.E.Rhodes’ ‘Self/Less‘ won the Federation of Writers Vernol Equinox competition, and it’s easy to see why. In form and language, it really is a beautiful piece of writing – five minutes of your life well spent.
Matthew Richardson is a writer of short stories. His work has featured in Gold Dust magazine, Literally Stories, Close to the Bone, McStorytellers, Penny Shorts, Soft Cartel, Whatever Keeps the Lights On, Flashback Fiction, Cafelit, and Shooter magazine. He is a doctoral student at the University of Dundee, a lucky husband, and a proud father. He blogs at www.matthewjrichardson.com and tweets at https://twitter.com/mjrichardso0.
Cheap pitches. Free showers. View of the loch. Save for the omnipresent midge, there seems little reason not to stop at Kinlochleven campsite. Strange then that no-one stays a second night.
Looking west along Loch Leven as the sun dives horizonwards, the summits seem benevolent, cradling the little town in a gnarled embrace. Binnein Mor, Na Gruagaichean, Am Bodach, Sgùrr a’ Mhàim and more lie in wooded repose lochside, benign under the last sideways-slung rays. This dying of the light is picturesque to be sure, reaching up into the loch. Weary trekkers and wellness bloggers snap pictures for their Instagram accounts, their eyes on their phones whilst locals search the gullies, the craggy overhangs.
It is not the dusk that the townsfolk are wary of. At least, not the dusk alone. It is a stillness in the evening air, a sense of heavy dreichness. The villagers can sense it. They close their doors over softly and stuff dishcloths and rags in the loose window frames. Curtains are drawn, lights dimmed.
Some short stories never really ignite for their authors. Some flare briefly before being doused by the sheer weight of writing out there. Others are slow burners, flickering flames dancing on cruisie lamp wicks long after the last of the oil has gone.
‘Foundering‘ was one such story for me. Initially published on this blog, it was picked up by Flashback Fiction, who in turn nominated it for the Best Microfiction 2021 anthology. I was equal parts delighted and surprised when it made the final cut, and there was the long-awaited kerthunk yesterday as my author copy wound its way from the publishers. ‘Foundering’ has flickered long after dusk has fallen, and given me more pleasure as a writer than I ever thought it would. I’m extraordinarily grateful that it has found a home alongside so many wonderful pieces.
If you are interested in microfiction across about as many genres as you could imagine, give Best Microfiction 2021 a look here.
The woman showed no surprise at the midshipman’s entrance. She stared at him, a smile nudging at the corners of her lips.
Bligh stood with mouth hanging open; a small boy caught stealing apples from the orchard. He had seen this fine green dress once before; across Bantry Bay, on a captain’s wife with a kerchief pressed against her mouth because she could not bear the smell of the harbour. Gone was the timid, sickly looking woman who had rushed off in her carriage as soon as it was politic, replaced with this confident, sensual creature.
“I was looking for…” whispered Bligh. His voice sounded childlike and tiny amongst the oak beams.
“You were looking for Ugly Bertha,” prompted the woman, her voice low and melodious. Bligh could smell orange blossom from the woman, the scent replacing the dank rot of the hold.
The woman held out her arms to each side of her petite shoulders. “Here she is.”